Take A Virtual Tour and Discover Amazing Indigenous Art in London

Close up photo of the woodland style of Canadian indigenous art.

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or 14 minutes in total (if you also watch the three short videos that are included).

A city’s true spirit is often revealed through its art.

And thanks to the support of community partners and the vision of talented artists, Indigenous art in London is not confined to gallery walls. It’s a living, breathing part of the city you can discover as you explore our streets and byways.

It’s the story of the original inhabitants of this area, the Anishinaabek, Haudenosaunee, and Lünaapéewak peoples, whose vibrant artistic expressions are adding profound depth and voice to the urban landscape.

Below is my 2026 virtual tour of all the Indigenous Art on display throughout London.

Photo credits: All photos in this blog post were taken by the author, unless otherwise indicated.

Western University (North London)

At Western University, three locations display Indigenous design:

  1. Social Science Centre
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A long mural adorns the wall outside the Indigenous Studies office on the third floor of the Social Science Centre at Western University. Designed by Mike Cywink, an Ojibwe artist from Whitefish River First Nation, with input from the community, 2023.
For a close-up shot of this mural, see the photo at the very beginning of this post.

2. Huron University

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Symbolizing reconciliation between his community and the Anglican Church, “Eagle Tree of Peace” at Huron University, by Leroy Henry, a Haudenosaunee artist from Six Nations of the Grand River, 2022.

3. Wampum Learning Lodge

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Ceremonial arbor constructed outside the Wampum Learning Lodge at Western University.

Market Lane (Downtown)

This Market Lane Mural is located in the heart of the city’s historic Covent Garden Market area.

There were many partners involved in bringing this project to life, including Andrew Gunn Consulting, Young & Free Press, Dundas Place, Downtown London, Museum London, WIL Employment Connections, and Tourism London.

Funding for the Market Lane mural project was provided by Tourism London and Downtown London, as well as a contribution from the Estate of Marianne Barrie.

Indigenous wall mural in Market Lane.
Futuristic floral design by indigenous artist and beadworker, Hawlii Pichette of both Swampy Cree and French-Canadian ancestry, 2020.

Midtown

This series of murals is a joint project between the City of London, N’Amerind Friendship Centre, and the London Arts Council. It features many colourful panels on the south wall of the N’Amerind Friendship Centre and is best viewed from Horton Street. The series of panels aims to “honour the legacy of Residential School Survivors and the children who were lost through Canada’s Residential School System.”

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“We Are Still Here” mural by Mike Cywink and youth Indigenous artists and residential school survivors, 2022.

A closer look at six of the woodland-style panels.

Carling Heights Optimist Community Centre (East London)

Here, visitors will find 19 works of art by 9 Indigenous artists in a wide variety of mediums, including glass, acrylic paint, canvas, leather, beads, deer, moose, and caribou hide, manipulated photography, wood, sand, clay, abalone shells, porcupine quills, gold, and silver.

Acknowledgement  from the city of London, along with the list of the artists and the artwork on display.

East Lions Community Centre (East London)

Below are two of the first works to make up the City of London’s Permanent Indigenous Artwork Collection.

This was a collaboration between the City of London, in partnership with the London Arts Council, Indigenous London Arts, London Music Office, and the Rotary Club of London.

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The stained glass-style mural “Firekeeper” by Ojibwe educator and visual artist Mike Cywink.
(Photo credit: City of London)

Below is London’s first artistically interpreted Wampum Belt. Installed in 2024, it wraps around the interior fireplace at East Lions Community Centre.

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The mural “Way of Life,” (Bimaadziwin), (Tsi’ niyóht tsi tyúnhe’), by Anishinaabe educator and visual artist Nancy Deleary.

Fanshawe College (East London)

Perhaps the most extensive use of indigenous design elements in a modern building in all of London can be found at the Innovation Village at Fanshawe College. Here, the artwork of Hawlii Pichette, Indigenous artist and Fanshawe College graduate, is featured prominently on the walls and windows throughout the facility.

Author’s Note: For your enjoyment, in the following gallery of photographs, you’ll find two short YouTube videos, one lasting 1:27 minutes and the second one lasting 3:30 minutes.

Circular sign - "Welcome to Innovation Village" Fanshawe.
[Watch time: 1:27]
Murals on meeting room windows.
All of the glass windows on the first and second floors of the Innovation Village are decorated with artwork by Hawlii Pichette.

Above left: Bear mural

Above right: Wolf mural

Above left: Turtle mural

Above right: Raven mural

Murals on meeting room windows.
Full-size window murals.

Above left: Buffalo mural

Above right: Ojibwe word, phonetic pronunciation, and mural description.

Grandfather Teachings - The Story. 
The Creator gave spirits known as the Seven Grandfathers and the responsibility to watch over the Anishinaabe people. the Grandfathers sent a Messenger down to earth to find someone to communicate Anishinaabe values. After searching in all directions, the Messenger found a baby. The Seven Grandfathers instructed the Messenger to take the baby around the Earth for seven years to learn the Anishinaabe way of life. After their return, the Grandfathers gave the baby, now a young boy, seven teachings to share with the Anishinaabe people: love, respect, bravery, truth, honesty, humility, and wisdom.
7 Generations Educational Institute
The Seven Grandfather teachings are a set of Anishinaabe guiding principles passed down from generation to generation to guide the Anishinaabe in living a good life in peace and without conflict.

Many Indigenous organizations and communities have adopted the Seven Grandfather Teachings as a moral stepping stone and cultural foundation. Communities have adapted the teachings to suit their community values. Despite where the teachings originated, they share the same concepts of abiding by moral respect for all living things.
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Grandfather Teachings Mural” on an exterior wall of the courtyard, just outside of The Kalihwiyo Circle.
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Inside the Kalihwiyo Circle, with the “Grandfather Teachings Mural” visible outside in the courtyard.
[Watch time: 3:30]

Wellington Road Welcome Centre (South London)

At the Tourism London Welcome Centre at 696 Wellington Road South, visitors will find Indigenous art displayed on both the exterior and interior walls, showcasing a diverse range of Indigenous artists and styles.

[For a 3-minute video on Indigenous Art at the Welcome Centre, click here]

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Two external mosaic murals (Medicine Wheel and Two Row Wampum) by Brenda Collins are located on the south wall of the Welcome Centre.

Below are 8 works of art displayed inside the Welcome Centre.

Above Left: Renee Jewell, Stained Glass Dreamcatcher

Above Right: Annette Sullivan, (Maaskowishiiiw Fleur), Trois Jiggers Metis

Above Left: Chandra Nolan, Giizhik Medicine Earings No. 1 & 2

Above Right: Oscar Marroquin-Ponce, Huitzilopochtli (Hummingbird)

Above Left: Steve Maracle, It’s Summer, Let’s Dream

Above Right: Mike Cywink (Thunder Day), the Provider

Above Left: Annette Sullivan, Traditional Metis ceremonial smoking hat

Above Right: Steve Maracle, Ethan Bear

122 Baseline Road (West London)

Two tree trunk sculptures sit on either side of the entrance to this apartment building at 122 Baseline Road West, welcoming visitors and providing an encouraging message for families, parents, and children.

Indigenous Tree Carvings plaque.
Plaque at 122 Baseline Street West. The artist is Garrett Nahdee, a self-taught member of the Walpole Island First Nation.

An Ongoing Story

These artworks are more than just decoration. They are a vital part of London’s journey toward reconciliation and a broader understanding of its own identity. They ensure that Indigenous voices and perspectives are seen, valued, and integrated into the shared story of the Forest City.

For visitors and residents alike, seeking out these pieces offers a richer, more meaningful experience of London – one that honours the past while celebrating a vibrant and continuing cultural presence.

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The author, in front of the murals on the wall of N’Amerind Friendship Centre.

Hi, I’m Lawrence – bicycle tour guide, storyteller, and admirer of London’s hidden stories.

These are just some of the things I’ve discovered while riding around London on my bicycle. I get a real thrill from sharing this beautiful art and the powerful history that makes our city so unique.

Click here to learn more!

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